Friday, December 3, 2010
Why Field Trips Rock
I hate collecting permission slips and hearding students through the turnstiles of the 3 train.
I hate having to convince students to sign up without the promise of McDonald's.
I hate that too often I must beg them to leave the most dangerous neighborhood in New York City so that they can see something different.
But for the few students that do decide to go (yesterday it was only 5) it's beyond worth it.
Sometimes it's just the revelatory, revolutionary experience of walking in Times Square or Greenwich Village.
Sometimes, like yesterday, it's the experience of witnessing amazing theater from the vantage point of the front row.
Sometime's it's just the new act of eating at a restaurant that doesn't have pictures on the menu.
Whether it's to MOMA or the New Victory Theater or even John's Pizza, field trips bring me back to the roots of why I decided to embark on this special and challenging journey that is teaching.
They show that "getting out" is possible.
In the span of a 30 minute subway ride, my students are able to see the beauty and wonder of their city instead of the tragedy and hopelessness.
They're able to see, experience, a life outside of Rockaway Avenue.
They're able to be treated, if only for an afternoon, as citizens instead of statistics.
And that's worth it.
Even when they still ask if we can go to McDonald's.
Tuesday, November 16, 2010
Tagging Desks and Other Gripes
"GBABY" and other tags are scratched in pen on my classrooom tables semi-permantely. (Alas, Lysol wipes can only erase so much.)
Is it because they're bored and can't think of anything else to do?
Is it the semiconscious subversive act of defacing school property?
Is it just plain fun?
Is it because the tables are, well, there?
As I look at the candy and gum wrappers left on the chairs, tables, and floor from the day before, the faint tags become yet another irksome item to add to my list of "things that are out of my control."
Sure, I could ask them to stop doing it (which I have) or penalize them when I catch them in the act, but what actual good would that do?
In these days of triage teaching, where I'm trying to reach as many "out of reach" kids as possible, and cover such matters as ending punctuation and reading comprehension (not to mention how to THINK), a few pen "tags" are small potatoes.
And yet, they are extremely frustrating ones. Just like the .30 bags of potato chips my kids eat.
Pointless, cheap, and sadly, expected.
Friday, October 8, 2010
Each One, Teach One...
First responses were pretty expected:
Cops
Bad Influences, Friends
Drug Dealers
Schools
Liquor Stores
Gang Members
Stereotypes
And then...Ms. L said,
"Precious."
Me: "You mean the movie, based on Push?"
L: "Yeah, it made me feel like it was one of them. That I went to a school like Each One, Teach One."
To all those who've ever heard me say I wish I was Ms. Rain...
I guess I'm closer than I thought.
Thursday, September 23, 2010
We Are From
Wednesday, September 22, 2010
Lenses, lenses everywhere!
Racisim
Sexism
Classism
Feminism
We use the words. A lot. Everyday.
And it's only the 8th class.
For example, when asked how we could apply our lenses to poems we're studying, Q in 7th period said, "I can use the feminist lens in My Papa's Waltz because the line "mother's countenance could not unfrown itself" could mean that she can't stop the abuse because she's a woman."
I mean, REALLY?????
Granted, this was 7th period, which is strikingly collegiate like, but still.
Applying the feminist lens already???
I am a proud propagandist teacher, I am.
Next up: bitch and the feminist lens. Or why saying it every other sentence might not be the best idea.
Wednesday, September 15, 2010
Zombie
Monday, July 26, 2010
The Memoir Experiment
PB (Pre-Brownsville, part 1)
Acting to Teach
My plan was to be a professional actor. And I was. For about five years.
In 2001, I received my B.A. in Theater from George Mason University (located in the suburbs of Washington DC) and immediately hit the pavement as a “working actor” in the nation’s capital. Armed with an arsenal of 2-minute monologues, 16-bar song selections, and a “God I hope I get it” attitude, I believed in my art and in the pursuit of it.
I got tired of working day jobs that turned my brain to goo and left me less than thrilled to schlep to auditions where everyone looked like wannabe Eponines from Les Miserables, including me.
I got tired of knowing that I could be so much more than an ensemble member in a yet unnamed modern dance/crime drama in a pseudo-professional production in Towson, Maryland.
I got tired of knowing that my days could be spent doing so many other worthwhile activities than preparing for the Merrily We Roll Along chorus auditions for the fifth time.
I got tired of feeling like a waste; that time was running out to do something with my life.
And so I went back to the only other thing I’ve always been really good at besides acting: bossing people around. Or, in other words, teaching.
Let me back up. From the time I was two years old and addressed a metal coca-cola truck as my pet dog “Bo Pat,” I’ve been excellent at two distinct things 1) pretending to be someone I’m not and 2) giving people orders.
Acting and Teaching. Done and done.
I “acted” with my parents, my aunts and uncles, my brother and cousins. I bossed around neighbors, grandparents, classmates and even strangers. Between the ages of 2 and 12, I lived in a multi-genre world of imagination. Tragedies, Comedies, Musicals, even Soap Operas, all received my “touch” as an actor/director/playwright/producer.
Here, for your pleasure, is a typical scene from one my early “ pertend” creations:
3-year-old Jamie: Mommy, let’s pertend that you stand here and say hello and then I say hello and then we both walk over here and pertend to eat breakfast.
Jamie’s silent, wisely obedient, sandy-haired, 5 foot Momma: Ok.
(Scene continues for a few more moments. And then the dénouement.)
Little Jamie: You pertend you’re eating Cherrios and I’ll pertend I’m eating Rice Krispies.
End Scene.
Chekhov I was not.
But I was prolific. And enduring.
I once spent two solid hours on the basement stairs “smoking” cigarettes made out of black Bic pens and pretending I was an alcoholic who was in danger of losing her kids. (My parents’ experiences as social workers in the child welfare system of West Virginia provided a particularly deep pool of inspiration.)
Alcoholic dramedies aside, my all-time favorite pertend production was school. It was my Cats, if you will. I played it in my room, in the backyard, at even, school. I most often played it, however, on my grandparents’ terrace.
***
PB (Pre-Brownsville, part 2)
Do and Pa’s Terrace
From between the ages of six to twelve, my younger brother Zack and I spent our Tuesdays and Thursdays at Do and Pa’s house while our mother worked part-time (Note: I invented the name Do and have no idea how or why I did so. The story is I got it from saying, “Do this and do that.” But I’m pretty sure that’s bogus. I think it was just an early indicator of my odd, yet delightful strangeness. My grandfather was always Pa. Just Pa.)
The greatest evidence, however, of my attempts at building strong (imaginary) student relationships exists in my infamous “notes home.” After going over the day’s spelling list or fraction problem, my teaching day often culminated with one or two letters home that I would write on my grandfather’s note pads. The correspondence usually looked something like this:
Dear Mrs. Smith,
Your daughter Alicia was very bad in class today. I am worried about her behavior. I had to write her name on the blackboard twice.
Please come see me as soon as you can.
Sincerely,
Mrs. Boileau
My grandfather, Pa, whose imagination and sense of empathy was less forgiving than my grandmother’s, would find several of these notes in various locations throughout the house.
Looking back, it’s probably not that surprising that he thought I was a schizophrenic.
Fast-forward twenty years, and my classroom has moved from my grandparents’ terrace in Bluefield, West Virginia to a crumbling, public school building in Brownsville, Brooklyn.
The students have changed from imaginary white 3rd graders to seventeen and eighteen year old African American, Dominican, Jamaican, and Haitian young men and women who desperately need a second chance.
I still act and I’m still bossy.